Amministrazione Marble
Amministrazione Marble
Marble
Marble
210 x 195 x 65 cm plus base
210 x 195 x 65 cm plus base
210 x 195 x 65 cm plus base
Statuario Marble with Veining
Statuario Marble with Veining
Portuguese Pink Marble
Portuguese Pink Marble
Portuguese Pink Marble
A tossing and turning journey across a fluid medium.
Portuguese Pink Marble
A tossing and turning journey across a fluid medium.
Portuguese Pink Marble
The block is carved as thinly in the middle as I dared. it stands on a dark grey granite base with the same horizontal dimensions, making the sculpture into a column of roughly my height.
Portuguese Pink Marble
The block is carved as thinly in the middle as I dared. it stands on a dark grey granite base with the same horizontal dimensions, making the sculpture into a column of roughly my height.
I carved the tall vertical sculpture during a three week symposium on Anguilla in the Caribbean. The stone is the local coral limestone. We were three sculptors (Alexandra Harley, Jon Barlow Hudson and I) all working with stone from the same quarry.
I carved the tall vertical sculpture during a three week symposium on Anguilla in the Caribbean. The stone is the local coral limestone. We were three sculptors (Alexandra Harley, Jon Barlow Hudson and I) all working with stone from the same quarry.
I carved the tall vertical sculpture during a three week symposium on Anguilla in the Caribbean. The stone is the local coral limestone. We were three sculptors (Alexandra Harley, Jon Barlow Hudson and I) all working with stone from the same quarry.
I carved the tall vertical sculpture during a three week symposium on Anguilla in the Caribbean. The stone is the local coral limestone. We were three sculptors (Alexandra Harley, Jon Barlow Hudson and I) all working with stone from the same quarry.
Statuario Marble
Based on an imaginary solar system with just one little planet in the centre and a little moon on the edge.
Statuario Marble
Based on an imaginary solar system with just one little planet in the centre and a little moon on the edge.
Cube carved from a block of white Portuguese Pink Marble. Hollowed out to let some light into the stone.
Cube carved from a block of white Portuguese Pink Marble. Hollowed out to let some light into the stone.
Portuguese Pink Marble
One of those pieces that arrive in the brain from somewhere, that are a logical progression of other work. Looks great with light coming in from the side/top/underneath.
Portuguese Pink Marble
One of those pieces that arrive in the brain from somewhere, that are a logical progression of other work. Looks great with light coming in from the side/top/underneath.
Portuguese Pink Marble
One of those pieces that arrive in the brain from somewhere, that are a logical progression of other work. Looks great with light coming in from the side/top/underneath.
White statuario marble
Four boat forms intersect and interact in a dynamic dance.
Carrara bianco marble
White marble from the Petacchi quarry. With the base it is 250cm tall. Permanently sited in Hong Kong
Carrara bianco marble
White marble from the Petacchi quarry. With the base it is 250cm tall. Permanently sited in Hong Kong
Carrara bianco marble
White marble from the Petacchi quarry. With the base it is 250cm tall. Permanently sited in Hong Kong
Statuario marble, white translucent
The balance between heavy and light, sharp and smooth. A part of the series of boat pieces I am working on that stem from a dream of being in a boat alone on an infinite ocean. There is danger and need for companionship implied.
The first sculpture in marble that is actually bigger than me: 2.50 m including its base. Roughed-out by Leonardo, one of Studio Sem's excellent artigiani.
The first sculpture in marble that is actually bigger than me: 2.50 m including its base. Roughed-out by Leonardo, one of Studio Sem's excellent artigiani.
Statuario marble
Rise was inspired by Brancusi's Endless Column. I was looking for a way of working with marble that gave me the same sense of articulation which I achieve in my tall steel pillars. I had to make it a lot shorter than 'endless' though. I exhibited it in the exhibition 'Two in One' at Gallery Pangolin London in 2012.
Statuario marble
Rise was inspired by Brancusi's Endless Column. I was looking for a way of working with marble that gave me the same sense of articulation which I achieve in my tall steel pillars. I had to make it a lot shorter than 'endless' though. I exhibited it in the exhibition 'Two in One' at Gallery Pangolin London in 2012.
Statuario marble
Rise was inspired by Brancusi's Endless Column. I was looking for a way of working with marble that gave me the same sense of articulation which I achieve in my tall steel pillars. I had to make it a lot shorter than 'endless' though. I exhibited it in the exhibition 'Two in One' at Gallery Pangolin London in 2012.
Statuario marble
I was inspired by the act of juggling. Life's a bit like that, hoping that the pieces won't all come crashing down. The sculpture looks totally different from all angles, which again proves that sculpture really has to be seen (and touched) in the 'flesh' to appreciate it.
Statuario marble
I was inspired by the act of juggling. Life's a bit like that, hoping that the pieces won't all come crashing down. The sculpture looks totally different from all angles, which again proves that sculpture really has to be seen (and touched) in the 'flesh' to appreciate it.
Statuario marble on a cardoso marble base
I started this sculpture in March. The seasons affect me much more when I am working in Italy - in London they are less noticeable. Once I had carved a big fat fledgeling - probably a cuckoo - I left the surface quite rough. I wanted it to look raw and unpolished. It is slightly tilted although still in balance.
Statuario marble
Statuario marble
Fired Clay
Marble
Marble
Marble